What the Thunder Said - by Jed Rasula

About the Book

"On the 100th anniversary of T. S. Eliot's modernist masterpiece, a rich cultural history of The Waste Land's creation, explosive impact, and enduring influence. When T. S. Eliot published The Waste Land in 1922, it put its 34-year-old author on a path to worldwide fame and the Nobel Prize. "But," as Jed Rasula writes, "The Waste Land is not only a poem: it names an event, like a tornado or an earthquake. Its publication was a watershed, marking a before and after. It was a poem that unequivocally declared that the ancient art of poetry had become modern." In What the Thunder Said, Rasula tells the story of how The Waste Land changed poetry forever and how this cultural bombshell served as a harbinger of modernist revolution in all the arts, from abstraction in visual art to atonality in music. From its famous opening, "April is the cruellest month, breeding / Lilacs out of the dead land," to its closing Sanskrit mantra, "Shantih shantih shantih," The Waste Land combined singular imagery, experimental technique, and dense allusions, boldly fulfilling Ezra Pound's injunction to "make it new." What the Thunder Said traces the origins, reception, and enduring influence of the poem, from its roots in Wagnerism and French Symbolism to the way its strangely beguiling music continues to inspire readers. Along the way, we learn about Eliot's storied circle, including Wyndham Lewis, Virginia Woolf, and Bertrand Russell, and about poets like Mina Loy and Marianne Moore, whose innovations have proven as consequential as those of the "men of 1914."Filled with fresh insights and unfamiliar anecdotes, What the Thunder Said recovers the explosive force of the twentieth century's most influential poem"--

Book Synopsis

A rich cultural history of the creation, explosive impact, and enduring influence of T. S. Eliot's modernist masterpiece

When T. S. Eliot published The Waste Land in 1922, it put the thirty-four-year-old author on a path to worldwide fame and the Nobel Prize. "But," as Jed Rasula writes, "The Waste Land is not only a poem: it names an event, like a tornado or an earthquake. Its publication was a watershed, marking a before and after. It was a poem that unequivocally declared that the ancient art of poetry had become modern." In What the Thunder Said, Rasula tells the story of how The Waste Land changed poetry forever and how this cultural bombshell served as a harbinger of modernist revolution in all the arts, from abstraction in visual art to atonality in music.

From its famous opening, "April is the cruellest month, breeding / Lilacs out of the dead land," to its closing Sanskrit mantra, "Shantih shantih shantih," The Waste Land combined singular imagery, experimental technique, and dense allusions, boldly fulfilling Ezra Pound's injunction to "make it new." What the Thunder Said traces the origins, reception, and enduring influence of the poem, from its roots in Wagnerism and French Symbolism to the way its strangely beguiling music continues to inspire readers. Along the way, we learn about Eliot's storied circle, including Wyndham Lewis, Virginia Woolf, and Bertrand Russell, and about poets like Mina Loy and Marianne Moore, whose innovations have proven as consequential as those of the "men of 1914."

Filled with fresh insights and unfamiliar anecdotes, What the Thunder Said recovers the explosive force of the twentieth century's most influential poem.

Review Quotes

"What the Thunder Said is an energetic book bristling with ideas and arguments."---Jason Harding, American Literary History

"[What the Thunder Said is] adding more weight to the headstone that marks Eliot."---James Matthew Wilson, New Criterion

"[What the Thunder Said] confirms Rasula's position as the US's most wide-ranging and aculturally astute historian of modernism."-- "Choice"

"Filled with fresh insights and unfamiliar anecdotes, What the Thunder Said recovers the explosive force of the twentieth century's most influential poem."---Marshal Zeringue, Campaign for the American Reader

"Provide[s] valuable context for Eliot's 1922 masterpiece."---Michael Dirda, Washington Post

"Rasula makes the case for The Waste Land's lasting revolutionary impact in his engaging and insightful, if occasionally discursive, study."---Peter Keough, Arts Fuse

"Stimulating. . . . Rasula's account wonderfully traces the evolution of literary thought, and his syntheses feel fresh and exciting. The result is a refreshing reappraisal of a classic."-- "Publishers Weekly (starred review)"

"A Choice Outstanding Academic Title of the Year"

"The book is much more than its title suggests, sympathetically conveying a whole complex literary world marked by revolutionary intensity."-- "Paradigm Explorer"

"The book demonstrates [Rasula's] uncommon ability to compress highly complicated artistic, cultural, and intellectual histories into accessible and enjoyable prose."---Daniel Kraft, On the Seawall

About the Author

Jed Rasula is the Helen S. Lanier Distinguished Professor at the University of Georgia. He is the author of nine scholarly books and three poetry collections and the coeditor of two anthologies. His recent books include Destruction Was My Beatrice: Dada and the Unmaking of the Twentieth Century and History of a Shiver: The Sublime Impudence of Modernism.