Dangerous Music BAX EQ Broadband EQ

If anyone could be called "the father of British EQ" it would be Peter Baxandall, from whose insights the Dangerous Music BAX EQ broadband equalizer takes its cues. The Dangerous BAX EQ was inspired by Peter Baxandall's legendary 1950's design that has graced hundreds of millions of home hi-fi systems. The BAX EQ's unique design carves broad, open curves and gentle sloping cuts that are essential for recording, mixing and mastering. Seeking the elusive Top-10 vocal sound? Add that perfect sheen of air. Chasing the chunk in grinding guitars? Dial in the meat. Lush midrange, bottomless bass, and space are achieved effortlessly. Please welcome the BAX EQ to tools for success- no radical sonic signature to overshadow the music... just music: neater, richer, sweeter. "Unlike anything 've heard, but exactly like what 've been seeking." - Phil Demetro, Lacquer Channel Mastering. The Dangerous Music Legacy:"Audio Integrity: non-negotiable." This is the credo upon which Dangerous Music is founded. Conceived and designed by end users-not by engineers in lab coats--the results are products that resurrect dynamic range, punch, intelligibility and emotion. These high-fidelity, uncompromised signal paths are achieved by harnessing over 20 years of Chris Muth's design wizardry; creator of infamous custom black boxes for world class facilities like Hit Factory, Masterdisk, Absolute Audio and Sterling Sound Mastering. Then the critical listening skills of golden-eared luminaries are applied, with the result being musical tools that fulfill the actual needs of today's flexible computer based studio. Why Cut? - Infrasonic rumble and ultrasonic interference are "pc" terms for the audio trash that lurks unnoticed in the extreme frequency wings. This garbage devours dynamic range and creates converter slew rate overload. It's elimination dramatically improves the performance of any A/D-D/A converter, realized as increased low end definition, upper order clarity and higher levels for every playback medium. Combine this power with the shelving filters to instantly commence seriously sexy sonic sculpting. Unique control, delivered musically. Why So Wide? - The broad bandwidth shelving EQ affects several octaves simultaneously. This intentional design minimizes phase delay and crafts shapely, sweet, subtle sonic sculpting. Remember, steep EQ slopes often generate harsh reflections. The BAX works effortlessly with music, unlocking a galaxy of depth and dimension previously only accessible by the audiophile elite. Low Frequency Filters - ¢ Feature: Infrasonic rumble reduction.¢ Benefit: infrasonic rumble is a PC term for the omnipresent low frequency garbage that loiters unnoticed in the audio shadows. This headroom consuming thief propagates from HVAC units, jets, subways and yes, Rayleigh Waves (i.e. earthquakes and Elephants.) Eliminating it dramaticallyincreases low end clarity and punch while allowing higher maximum levels on any playback device. High-Frequency Shelf - ¢ Feature: Broad bandwidth shelving EQ that affects several octaves.¢ Benefit: Minimized phase delay for shapely, sweet and subtle sonic sculpting.¢ Tip: The highest frequency shoulder is approximately twice the listed frequency (where the cut/boost is exactly 5dB). The frequencies noted on the faceplate reside in the middle of this slope, thus corresponding with the most audible band. Left & Right Cut/Boost - ¢ Feature: Individual knobs.¢ Benefit: Leverage the BAX for M/S stereo tracking or mixing. Additionally, discrete left and right controls allow the correction of any stereo imbalance. Left & Right Cut/Boost - ¢ Feature: Stepped attenuators.¢ Benefit: Stepped knobs to repeat previous settings with deadly accuracy. High-Frequency Filters¢ Feature: Ultrasonic noise reduction