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About this item
Highlights
- In Always Already New, Lisa Gitelman explores the newness of new media while she asks what it means to do media history.
- About the Author: Lisa Gitelman is Professor of English and Media, Culture, and Communication at New York University.
- 224 Pages
- Social Science, Media Studies
Description
About the Book
An analysis of the ways that new media are experienced and studied as the subjects of history, using the examples of early recorded sound and digital networks.Book Synopsis
In Always Already New, Lisa Gitelman explores the newness of new media while she asks what it means to do media history. Using the examples of early recorded sound and digital networks, Gitelman challenges readers to think about the ways that media work as the simultaneous subjects and instruments of historical inquiry. Presenting original case studies of Edison's first phonographs and the Pentagon's first distributed digital network, the ARPANET, Gitelman points suggestively toward similarities that underlie the cultural definition of records (phonographic and not) at the end of the nineteenth century and the definition of documents (digital and not) at the end of the twentieth. As a result, Always Already New speaks to present concerns about the humanities as much as to the emergent field of new media studies. Records and documents are kernels of humanistic thought, after all--part of and party to the cultural impulse to preserve and interpret. Gitelman's argument suggests inventive contexts for "humanities computing" while also offering a new perspective on such traditional humanities disciplines as literary history. Making extensive use of archival sources, Gitelman describes the ways in which recorded sound and digitally networked text each emerged as local anomalies that were yet deeply embedded within the reigning logic of public life and public memory. In the end Gitelman turns to the World Wide Web and asks how the history of the Web is already being told, how the Web might also resist history, and how using the Web might be producing the conditions of its own historicity.Review Quotes
"Gitelman's "Always Already New" artfully reconfigures our critical thinking about the material, social, and institutional contexts that have produced 'new media.' In this beautifully written book, she brings 'pastness' into an enlightening conversation with our current, complex engagement with the digital datasphere."--Thom Swiss, interdisciplinary scholar, University of Minnesota, coeditor of "New Media Poetics"
"Lisa Gitelman is a brilliant scholar.... [She] uses new historicist, philosophical, and technological observations to make a compelling case."-- M. E. DiPaulo, "Choice"
"Smart and engaging..... This book is an invitation to do media history in the archives; at the same time, it keeps reminding us that the archives ain't the archives anymore and that any historical account is dependent on the media forms it uses."-- John Nerone, "Journal of American History"
"Gitelman's
About the Author
Lisa Gitelman is Professor of English and Media, Culture, and Communication at New York University. She is the coeditor of New Media, 1710-1915 (2003) and author of Always Already New: Media, History, and the Data of Culture (2006), both published by the MIT Press.Dimensions (Overall): 8.8 Inches (H) x 6.9 Inches (W) x .7 Inches (D)
Weight: .9 Pounds
Suggested Age: 22 Years and Up
Number of Pages: 224
Genre: Social Science
Sub-Genre: Media Studies
Publisher: MIT Press
Format: Paperback
Author: Lisa Gitelman
Language: English
Street Date: September 1, 2008
TCIN: 94258107
UPC: 9780262572477
Item Number (DPCI): 247-11-5036
Origin: Made in the USA or Imported
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Shipping details
Estimated ship dimensions: 0.7 inches length x 6.9 inches width x 8.8 inches height
Estimated ship weight: 0.9 pounds
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