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Colonizing Nature - by Beth Fowkes Tobin (Hardcover)
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About this item
Highlights
- With its control of sugar plantations in the Caribbean and tea, cotton, and indigo production in India, Britain in the eighteenth and nineteenth centuries dominated the global economy of tropical agriculture.
- About the Author: Beth Fowkes Tobin is Professor of English at Arizona State University.
- 280 Pages
- Literary Criticism, European
Description
About the Book
How the art and literature of the British Empire reflected its dominion over the resources of tropical colonies.
Book Synopsis
With its control of sugar plantations in the Caribbean and tea, cotton, and indigo production in India, Britain in the eighteenth and nineteenth centuries dominated the global economy of tropical agriculture. In Colonizing Nature, Beth Fowkes Tobin shows how dominion over "the tropics" as both a region and an idea became central to the way in which Britons imagined their role in the world.
Tobin examines georgic poetry, landscape portraiture, natural history writing, and botanical prints produced by Britons in the Caribbean, the South Pacific, and India to uncover how each played a crucial role in developing the belief that the tropics were simultaneously paradisiacal and in need of British intervention and management. Her study examines how slave garden portraits denied the horticultural expertise of the slaves, how the East India Company hired such artists as William Hodges to paint and thereby Anglicize the landscape and gardens of British-controlled India, and how writers from Captain James Cook to Sir James E. Smith depicted tropical lands and plants. Just as mastery of tropical nature, and especially its potential for agricultural productivity, became key concepts in the formation of British imperial identity, Colonizing Nature suggests that intellectual and visual mastery of the tropics--through the creation of art and literature--accompanied material appropriations of land, labor, and natural resources. Tobin convincingly argues that the depictions of tropical plants, gardens, and landscapes that circulated in the British imagination provide a key to understanding the forces that shaped the British Empire.Review Quotes
"Tobin's analyses of paintings . . . confirm her as an indispensable commentator on imperial themes in eighteenth-century British art."-- "Modern Language Quarterly"
About the Author
Beth Fowkes Tobin is Professor of English at Arizona State University. She is the author of Picturing Imperial Power: Colonial Subjects in Eighteenth-Century British Painting and Superintending the Poor: Charitable Ladies and Paternal Landlords in British Fiction, 1770-1860.Dimensions (Overall): 9.26 Inches (H) x 6.34 Inches (W) x .97 Inches (D)
Weight: 1.32 Pounds
Suggested Age: 22 Years and Up
Sub-Genre: European
Genre: Literary Criticism
Number of Pages: 280
Publisher: University of Pennsylvania Press
Theme: English, Irish, Scottish, Welsh
Format: Hardcover
Author: Beth Fowkes Tobin
Language: English
Street Date: December 28, 2004
TCIN: 93506953
UPC: 9780812238358
Item Number (DPCI): 247-07-7109
Origin: Made in the USA or Imported
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Shipping details
Estimated ship dimensions: 0.97 inches length x 6.34 inches width x 9.26 inches height
Estimated ship weight: 1.32 pounds
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