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Grenadine and Other Love Affairs - by Carolyn Grace (Paperback)
About this item
Highlights
- [Grenadine and Other Love Affairs] is the work of an alarming talent.
- Author(s): Carolyn Grace
- 170 Pages
- Poetry, American
Description
About the Book
"Grace's...poetry...ponders language and meaning...An intricate gem of a poetic debut. [T]he work of an alarming talent."-Kirkus Reviews
Book Synopsis
[Grenadine and Other Love Affairs] is the work of an alarming talent. An intricate gem of a poetic debut."
"Grace's poetry is laden with sensuous imagery: 'Ignominious fruit of that garden / my carmine lips, your garnet desire.' The most compelling aspect of this ingenious body of verse is the poet's determination to excavate ever deeper layers of meaning..."-Kirkus Reviews (starred review)
"A gorgeous and smart debut." -Rebecca Gayle Howell, Poetry Editor, Oxford American
"In this sensuous debut poetry collection, Grenadine and Other Love Affairs, Carolyn Grace explores meaning through body, image, form, music, myth, and history-and always through language that 'must stretch to convey / only the edge' of the subject ('Grenadine'). In Grace's deft hands, stretch it does-stretch and infuse, suffuse, penetrate, undercut, probe, and play with meaning...To read these poems is to touch and taste and hold love deeply in body and soul, to celebrate love, unflinching and painful and joyful. 'Poetry, ' Grace writes, is 'prayer-a desired exactitude of thought-the magical incantation of the essential ('Delphic', in 'Reverie').'
Come, enter this magical, essential world. Let its music sound your depths, its precision sharpen your mind. Then prepare to leave changed, your self challenged and enlarged."
- LIBBY FALK JONES, Professor of English, Emerita, Berea College
Review Quotes
"Grace's debut poetry collection [Grenadine and Other Love Affairs] ponders language and meaning.
"'I wrote this book because I am interested in how meaning is created, ' writes the author in her preface to this new collection. For this emerging poet, meaning is found in the mechanics of human language-specifically word choice and placement-and in the quest to make sense of oneself and the world. The collection is divided into nine sections bearing intriguing, unusual titles, including 'Esemplastic, ' 'Limn, ' and 'Invariance.' Each section contains a series of poems without titles, numbered in roman numerals. Grace employs a range of poetic forms, from common meter to haiku and pantoums. Some poems contemplate how our relationships with others impact our own identity: 'If you are the center of my map-where / am I?' Others consider the act of writing itself: 'These marks are a compendium of miscellany / a narrative-translucent, pre-existing and replete.' At the close of some sections, the author includes a 'Lyric Glossary' in which she poetically reexamines and reframes specific terms she has used. Grace's poetry is laden with sensuous imagery: 'Ignominious fruit of that garden / my carmine lips, your garnet desire.' The most compelling aspect of this ingenious body of verse is the poet's determination to excavate ever deeper layers of meaning; Grace returns to the word carmine in her Lyric Glossary, recalling, 'a rich red to crimson pigment...I bought a dress that made my skin look like cream and my hair look like amber. / I bought it so that your hands on my waist would look like intent-and they did.' The poet moves beyond cold definitions, adding not only personal significance to the term but pinning it to one intimate moment. She poignantly captures how meaning shifts with time: 'a vivid red...I still own that dress. It is packed in a box with other things that don't fit me anymore.' The poet also demonstrates notable technical prowess, as when priming a villanelle to deliver the powerfully philosophical, doubled-barreled refrain: 'What arterial conspiracy was this, aromatic and dusty, rife with pulse and power? / The victor builds the world around himself, calls the edges nothing, the center a flower.' This is the work of an alarming talent.
"An intricate gem of a poetic debut."-Kirkus Reviews (starred review)
"In Grenadine and Other Love Affairs Carolyn Grace invents a form: the lyric glossary. [T]his new poetic form invites us all to understand the sacred terms of language itself...Here is poetry that is finely tuned...A gorgeous and smart debut."- REBECCA GAYLE HOWELL
"In this sensuous debut poetry collection, Grenadine and Other Love Affairs, Carolyn Grace explores meaning through body, image, form, music, myth, and history-and always through language that 'must stretch to convey / only the edge' of the subject ('Grenadine'). In Grace's deft hands, stretch it does-stretch and infuse, suffuse, penetrate, undercut, probe, and play with meaning.
"Grace's love affair with language is most fully reflected in her brilliant deconstruction of definitions and forms. In the Lyric Glossary, she unpacks the multiple-often contradictory-properties of familiar terms...as well as opens the richness of unfamiliar terms...
"To read these poems is to touch and taste and hold love deeply in body and soul, to celebrate love, unflinching and painful and joyful. ... Come, enter this magical, essential world. Let its music sound your depths, its precision sharpen your mind. Then prepare to leave changed, your self challenged and enlarged."- LIBBY FALK JONES