Hiroshige's One Hundred Famous Views of EDO - by Andreas Marks (Hardcover)

Book Synopsis

**Honorable Mention 2025 International Fine Print Dealers Association Book Award**

"A feast for the eyes...the most complete volume you're ever likely to find about Hiroshige's monumental masterwork [...] [A] rare compendium." --The Japan Times

A landmark book presenting the early "deluxe" versions of Hiroshige's Edo prints for the first time!

Utagawa Hiroshige's unique landscape series One Hundred Famous Views of Edo (modern-day Tokyo), first published in the 1850s, is among the best-known collections of Japanese prints and was revolutionary in its day. Individual prints from this collection are regarded as among the finest works in all of Japanese art.

In this series, Hiroshige captures 118 locations in and around Edo, today's Tokyo, during all four seasons and often from hitherto unknown and unique perspectives. These views were first printed in exquisite luxury versions, incorporating innovative woodblock printing features like color gradation. No complete set of the early versions exists today and this is the first book to present a complete set of the deluxe early printings, sourced from 32 different museums and private collections.

Author Andreas Marks consulted 4,700 prints in order to compile this definitive guide to Hiroshige's One Hundred Famous Views of Edo. Marks presents the various printed versions along with reference images showing how and where Hiroshige sourced his ideas for each view--from previous books and illustrations. The result is a definitive guide to understanding the complexity of Hiroshige's great work as well as the dynamics of the Japanese print market during this period.

Marks' introduction discusses the genesis of the series in the context of Japanese landscape art as well as Hiroshige's personal biography. The book then presents all 118 prints together with their source materials and a map showing the locations of each view, followed by a detailed appendix discussing the great color variations found in subsequent printings of the series.

Review Quotes

**Honorable Mention 2025 International Fine Print Dealers Association Book Award** "This is an ambitious and highly successful effort to create a definitive reference volume on Hiroshige's monumental and acclaimed mid-19th century series of woodblock prints."

"A feast for the eyes...the most complete volume you're ever likely to find about Hiroshige's monumental masterwork. [...] Aside from the astonishing beauty of the prints, Marks' book is remarkable for several other reasons. Firstly, no complete collection of all 118 prints exists today. This book is the only one to present them all together in their deluxe early versions. [...] [A] rare compendium, even by Japanese standards." --The Japan Times

Praise for Marks' Previous Works:
"Impeccably researched with an exhaustive bibliography, this is a work that demonstrates the highest level of scholarly achievement." --CHOICE: Current Reviews for Academic Libraries

"...recommended for arts holdings and collections strong in Japanese culture alike." --Midwest Book Review

"A visually engaging trip through the Japanese landscape that will reward both print lovers and Japanophiles." --Library Journal

"Marks provides the kind of concrete biographical details that most art historical treatments, more focused on style, genre, and influences, would pass over. " --Nubui Kuduchi blog

"Marks's (director & chief curator, Clark Ctr. for Japanese Art) clear, informative text, while valuable for scholars beginning research, also remains accessible to the average reader...this volume is recommended for all libraries, academic and public." --Library Journal

"The exuberance of color, motion, and expression, all carefully arranged, make this a book for scholars and browsers, serious collectors and hedonists alike." --ForeWord Reviews

About the Author

Dr. Andreas Marks is the Mary Griggs Burke Curator of Japanese and Korean Art and director of the Clark Center for Japanese Art at the Minneapolis Institute of Art. From 2008 to 2013 he was the director and chief curator of the Clark Center for Japanese Art and Culture in California. He has a Ph.D. from Leiden University and a master's degree in East Asian Art History from the University of Bonn. A specialist of Japanese woodblock prints, he is the author of over 16 books. In 2014, he received the International Ukiyo-e Society award in recognition of his work and in 2018, the top book award from the International Fine Print Dealers Association.