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Irrititja Kuwarri Tjungu (Past and Present Together) - by Fred Myers & Henry Skerritt (Hardcover)
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About this item
Highlights
- In 1971 a small group of Aboriginal artists from Australia's remote Central and Western Deserts changed the face of global art history.
- About the Author: Henry Skerritt is Curator of Indigenous Arts of Australia at the Kluge-Ruhe Aboriginal Art Collection and editor of Marking the Infinite: Contemporary Women Artists from Aboriginal Australia.
- 278 Pages
- Art, History
Description
About the Book
"Published on the occasion of the exhibition Irriötitja Kuwarri Tjungu: Past and Present Together: Fifty Years of Papunya Tula artists, curated by Henry Kerrit. Kluge-Ruhe Aboriginal Art Collection of the University of Virginia, Part 1: 1971-1995 on view June 24, 2021-February 27, 2022, part 2: 1996-2021 on view March 17, 2022-February 26, 2023. The Embassy of Australia, Washington, D.C., March-September, 2023."--Title page verso.Book Synopsis
In 1971 a small group of Aboriginal artists from Australia's remote Central and Western Deserts changed the face of global art history. The township of Papunya was founded in 1959 as a settlement for Aboriginal people who were relocated from their homelands. Living in cramped conditions, the community brought together people of diverse backgrounds and languages. Painting offered a way of asserting authority: of explaining who the townspeople were and where they came from amid this chaotic mélange of strangers. Using ancient iconographies rarely seen by outsiders, an artistic renaissance sprang forth as artists defiantly asserted themselves against the uncertainty of colonial displacement.
Irrititja Kuwarri Tjungu (Past and Present Together) celebrates the fiftieth anniversary of Papunya Tula Artists, from the very first experiments on scraps of cardboard, linoleum, and Masonite through to the epic abstract paintings that are showcased internationally today. Motivated by the artists' desire to preserve and transmit their cultural knowledge, the movement quickly grew into a powerful medium for economic and social justice. From humble beginnings, a multimillion-dollar industry would emerge, changing the face of contemporary art and creating a powerful voice for Indigenous artists.
Contributors: John Kean, Steve Martin, Fred Myers, Elizabeth Marks Nakamarra, Narlie Nelson Nakamarra, Eileen Napaltjarri, Charlotte Phillipus Napurrula, Jodie Napurrula, Punata Stockman Nungurrayi, Rachel Paltridge, Hetti Perkins, Cara Pinchbeck, Henry Skerritt, Margo Smith, Marina Strocchi, Paul Sweeney, Morris Jackson Tjampitjinpa, Joseph Jurra Tjapaltjarri, Bobby West Tjupurrula
Distributed for the Kluge-Ruhe Aboriginal Art Collection of the University of Virginia
Review Quotes
Irrititja Kuwarri Tjungu (Past Present Together): Fifty Years of Papunya Tula Artists is indeed more than a beautiful catalogue - although the high production values make it a pleasure to page through. The book, which ties in loosely with two exhibitions at the Kluge-Ruhe [Aboriginal Art Collection of the University of Virginia], also contains scholarly insights gleaned during two years of research in Central Australia and from a deep dive into the archives of co-editor Fred Myers, who has been documenting Papunya Tula since its inception. Paintings by well-known names such as Clifford Possum Tjapaltjarri and Ronnie Tjampitjinpa share space with obscure treasures that have never before been reproduced, while essays by esteemed curator Hetti Perkins and US actor Steve Martin (a noted collector of Australian Indigenous art), among others, provide diverse perspectives.
About the Author
Henry Skerritt is Curator of Indigenous Arts of Australia at the Kluge-Ruhe Aboriginal Art Collection and editor of Marking the Infinite: Contemporary Women Artists from Aboriginal Australia. Fred Myers is Silver Professor of Anthropology at NYU and author of Painting Culture: The Making of an Aboriginal High Art.
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