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Latoya Ruby Frazier: Monuments of Solidarity - by Latoya Ruby Frazier & Roxana Marcoci (Paperback)
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Highlights
- Frazier's personalized arrangements of her compelling photographs recognize the myriad social and political struggles of Black working-class communitiesFor more than two decades, artist-activist LaToya Ruby Frazier has used photography, text, moving images and performance to revive and preserve forgotten narratives of labor, gender and race in the postindustrial era.
- Author(s): Latoya Ruby Frazier & Roxana Marcoci
- 256 Pages
- Photography, Individual Photographers
Description
Book Synopsis
Frazier's personalized arrangements of her compelling photographs recognize the myriad social and political struggles of Black working-class communities
For more than two decades, artist-activist LaToya Ruby Frazier has used photography, text, moving images and performance to revive and preserve forgotten narratives of labor, gender and race in the postindustrial era. Frazier has cultivated a practice that builds on the legacy of the social documentary tradition of the 1930s, the photo-conceptual forays of the 1960s and 1970s, and the work of socially conscious writers such as Upton Sinclair, James Baldwin and bell hooks. Monuments of Solidarity celebrates the creativity and collaboration that persist in the face of industrialization and deindustrialization, racial and environmental injustice, gender disparities, unequal access to health care and clean water, and the denial of fundamental human rights. A form of Black feminist world-building, Frazier's nontraditional "monuments for workers' thoughts" demand recognition of the crucial role that women and people of color have played, and continue to play, in histories of labor and the working class.
Published in conjunction with the first comprehensive museum survey dedicated to the artist, Monuments of Solidarity presents the full range of her practice and includes both rarely seen and brand-new bodies of work. An illuminating overview essay by the exhibition's curator, Roxana Marcoci, is accompanied by a manifesto by the artist and a suite of focused essays by other curators and scholars.
LaToya Ruby Frazier was born in 1982 in Braddock, Pennsylvania. Her artistic practice spans a range of mediums, including photography, video, performance, installation art and books, and centers on the nexus of social justice, cultural change and commentary on the American experience. Frazier is the recipient of numerous awards, including a 2015 MacArthur Fellowship.
Review Quotes
For Frazier, ownership for the working class is an ethical, intellectual, and practical concern ... With each project, Frazier tries to leave communities stronger than when she arrived.--Taylor Michael "The Baffler"
Frazier works with a militant love for the proletariat; her photos extinguish the images of ignorance and bigotry associated, in the Trump-era and today, with talk of the American working class, and counterprograms her audience with pictures from a solidaristic, woman-led, and multiracial movement.--Ciaran Finlayson "4Columns"
Any serious monument-builder working on the tough joint tasks of truth-telling and healing, must tackle and resolve, again and again. Frazier is such a builder and, in our present thug-threatened moment, a needed one.--Holland Cotter "The New York Times: Arts"
Gathering these and other projects, the MoMA survey traces, for the first time in one place, Frazier's journey toward this kind of civic polyphony.--Siddhartha Mitter "The New York Times: Arts"
Groundbreaking in exploring in depth the lives and situations of working people in places of crisis and in giving space to their voices.--Lyle Rexer "Photograph"
Monuments of Solidarity' makes the case for this maximalist approach to photograph, one in which the photographer is never just a documenter, but an active agent in the story being investigated.--Veronica Esposito "Guardian"