Melancholy Acts - by Nouri Gana (Hardcover)

About the Book

"How do the literatures and cultures of oppressed societies survive and flourish in spite of the overdetermining conditions of precarity and injustice of which they are a product and against which they protest? Might the symptom of oppression become simultaneously the agent of its critique? Melancholy Acts offers richly nuanced reflections on these questions through a series of wide-ranging engagements with Arab thought, literature, and film in the aftermath of the 1948 dispossession of Palestinians and the 1967 military defeat of Arab armies. Melancholy Acts offers a psychoaffective theory of cultural production that arises out of the disjunction between political impoverishment and cultural resistance to colonial and neoliberal oppression. Such a theory allows the author to trace the melancholy disposition of Arabic literary and filmic productions and to discern the precarious rhetorical modes of their critical intervention in a culture that is continually strained to its breaking point. Across six chapters, Melancholy Acts reads with rigor and sensitivity contentious topics of Arab contemporaneity such as secular modernity and manhood, Arab nationalism and leftism, literary and artistic iltizåam, or commitment, Islamism, and martyrdom. The book tracks the melancholy politics that inform the literary and cultural projects of a multitude of Arab novelists (Ghassan Kanafani and Naguib Mahfouz); poets and playwrights (Mahmoud Darwish, Nizar Qabbani, and Saadallah Wannous); filmmakers (Nouri Bouzid, Moufida Tlatli, Youssef Chahine, and Hany Abu Assad); alongside the work of such intellectuals as Hussein Muruwwa, Malek Bennabi, Karima Lazali, George Tarabishi, and Fethi Benslama, from within the Arab world, as well as such non-Arab thinkers as Freud, Lacan, Adorno, Fanon, Spivak, Butler, and éZiézek"-- Publisher.

Book Synopsis

CHOICE: OUTSTANDING ACADEMIC TITLE

How do the literatures and cultures of oppressed societies survive and flourish in spite of the overdetermining conditions of precarity and injustice of which they are a product and against which they protest? Might the symptom of oppression become simultaneously the agent of its critique? Melancholy Acts offers richly nuanced reflections on these questions through a series of wide-ranging engagements with Arab thought, literature, and film in the aftermath of the 1948 dispossession of Palestinians and the 1967 military defeat of Arab armies.

Melancholy Acts offers a psychoaffective theory of cultural production that arises out of the disjunction between political impoverishment and cultural resistance to colonial and neoliberal oppression. Such a theory allows the author to trace the melancholy disposition of Arabic literary and filmic productions and to discern the precarious rhetorical modes of their critical intervention in a culture that is continually strained to its breaking point. Across six chapters, Melancholy Acts reads with rigor and sensitivity contentious topics of Arab contemporaneity such as secular modernity and manhood, Arab nationalism and leftism, literary and artistic iltizām, or commitment, Islamism, and martyrdom. The book tracks the melancholy politics that inform the literary and cultural projects of a multitude of Arab novelists (Ghassan Kanafani and Naguib Mahfouz); poets and playwrights (Mahmoud Darwish, Nizar Qabbani, and Saadallah Wannous); filmmakers (Nouri Bouzid, Moufida Tlatli, Youssef Chahine, and Hany Abu Assad); alongside the work of such intellectuals as Hussein Muruwwa, Malek Bennabi, Karima Lazali, George Tarabishi, and Fethi Benslama, from within the Arab world, as well as such non-Arab thinkers as Freud, Lacan, Adorno, Fanon, Spivak, Butler, and Žižek.

Melancholy Acts charts a fresh and bold new approach to Arabic and comparative literature that combines in interlaced simultaneity a high sensitivity to local idioms, as they swerve between symptom and critique, with nuanced knowledge of the geopolitics of theory and psychoanalysis.

Review Quotes

Melancholy Acts expands the theoretical and literary parameters of colonial trauma and its afterlife, extending to oft-neglected contexts, and is thus indispensable to postcolonial scholars.-- "Journal of Postcolonial Writing"

Nouri Gana's Melancholy Acts is an all-too-timely sustained examination of loss and melancholia as a form of resistance in the Arab world from the 1948 Nakba to the 1967 Naksa and after. . . Gana does specifically for Arab populations what Franz Fanon accomplished more broadly for postcolonial populations by drawing attention to the forms of resistance resulting from the postcolonial psychological condition.-- "College Literature"

Nouri Gana's Melancholy Acts: Defeat and Cultural Critique in the Arab World offers a profound and innovative examination of the emotional and political complexities shaping the Arab world. . . By combining rigorous theoretical analysis with close readings of cultural texts, Melancholy Acts offers a fresh perspective on the role of melancholy in Arab cultural and political life, challenging traditional notions of melancholic passivity and offering new ways of thinking about the intersections of affect, culture, and politics in the Arab world, towards, as he beautifully concludes, a decolonial project of emancipation.-- "Cairo Studies in English"

Melancholy Acts is a powerful expression of the Arab world's literary and cinematic production, which has endured and obstinately defied colonial and postcolonial occupation, Western encroachments, and autocratic regimes. . . It would be a valuable reference for postcolonial and cultural studies, comparative literature, and film, among others. Highly recommended.-- "Choice Reviews"

. . .[T]the book comprises one of the most significant readings of Arab contemporaneity that we have.-- "Critical Inquiry"

In Melancholy Acts, Nouri Gana travels between Algeria and Tunisia to Palestine and Egypt, examining the impact of European colonization and Israeli apartheid on Arab culture. Gana is unique among today's critics in firmly grounding his literary and psychoanalytic discussions of poetry and fiction, theory and film in current and past events, and in emphasizing the role that Euro-American invasions and economic neocolonialism play in the making of a defeatist melancholy within the Arab psyche. Gana's book is a powerful call for Arab thinkers and artists to turn melancholy into a discourse of empowerment and a 'decolonial project of emancipation.' In its call to action and in its incisive analyses, Melancholy Acts is a must read.-- "Nabil Matar, University of Minnesota"

In this lucid and powerful book, Nouri Gana offers a new understanding of militant melancholia in the course of patient, attentive, and consequential readings of Arab cultural production, including poetry, novels, films, and plays. Distinguishing between forms of melancholia as they enter into the critique of colonialism, Gana makes a strong and remarkable case for the power of melancholia in acts of cultural critique. Taking on insouciant critics and confounding theorists who dismiss or reduce the power of melancholy, Gana proves himself to be a singular and brilliant critic and theorist, letting psychoanalysis have a new life in the field of political resistance.-- "Judith Butler, University of California, Berkeley"

About the Author

Nouri Gana is Professor of Comparative Literature and Near Eastern Languages and Cultures at the University of California, Los Angeles. He is the author of Signifying Loss: Toward a Poetics of Narrative Mourning (2011) and editor of The Making of the Tunisian Revolution: Contexts, Architects, Prospects (2013) and The Edinburgh Companion to the Arab Novel in English: The Politics of Anglo Arab and Arab American Literature and Culture (2013).