Metamorphoses - (Penguin Classics) by Ovide (Paperback)

Book Synopsis

Ovid's sensuous and witty poem, in an accessible translation by David Raeburn

In Metamophoses, Ovid brings together a dazzling array of mythological tales, ingeniously linked by the idea of transformation--often as a result of love or lust--where men and women find themselves magically changed into new and sometimes extraordinary beings. Beginning with the creation of the world and ending with the deification of Augustus, Ovid interweaves many of the best-known myths and legends of ancient Greece and Rome, including Daedalus and Icarus, Pyramus and Thisbe, Pygmalion, Perseus and Andromeda, and the fall of Troy. Erudite but light-hearted, dramatic and yet playful, Metamorphoses has influenced writers and artists throughout the centuries from Shakespeare and Titian to Picasso and Ted Hughes.

For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

Review Quotes

"The true brilliance, that is, the true reading, the accessibility, of McCarter's tapestry lies in her use of poetic form.(...) Throughout, McCarter produces gorgeous basso continuo undertones juxtaposed against sharp and high-pitched rhymes. Such formal elements of the translation ultimately represent McCarter's interpretation of Metamorphoses and the art of translation itself--that humble human craft that has the capacity to stand against and despite the will of gods, power, and time. McCarter has produced her own masterpiece that 'Jove's wrath cannot / destroy, nor flame, nor steel, nor gnawing time.' 'My name, ' she writes, 'can't be erased.'"
--Anna Deeny Morales, 2023 American Poets Prize citation for The Academy of American Poets

"The best translation of a work of ancient literature that I read this year was Stephanie McCarter's marvellous new translation of Ovid's Metamorphoses, in fresh, readable, vivid iambic pentameter. McCarter captures Ovid's wit and cleverness, making us laugh at the escapades of abusive, lust-crazed, arrogant gods and hapless, also lust-crazed and arrogant mortals. But she also brilliantly evokes Ovid's more serious sides, including his attentiveness to power and the magical vivacity of the natural world. Her wonderful handling of the metrical poetic form is a fitting match for Ovid's artful, fluent Latin verse."
--Emily Wilson, The New Statesman

"McCarter confronts the tricky issues associated with both the poet and his epic not only in her forthright introduction but in the translation itself, where, like an art restorer removing decades of browned varnish from an Old Master, she strips away a number of inaccuracies and embellishments that have accreted in translations over the decades and centuries, obscuring the sense of certain passages, particularly those portraying women and sexual violence... McCarter's translation reproduces Ovid's speed and clarity. Even better, she is alert to many of the sparkling verbal effects for which the poet was famous in his own time... If you didn't know she was writing about the concerns of someone who died twenty centuries ago, you'd think her subject was still alive."
--Daniel Mendelsohn, The New Yorker

"McCarter adroitly captures Ovid's glittering darkness. There is horror here but there is also so much wonder and delight, all conveyed in nimble, fresh language." --Kamila Shamsie, author of Home Fire

"The Metamorphoses has it all: sex, death, love, violence, gods, mortals, monsters, nymphs, all the great forces, human and natural. With this vital new translation, Stephanie McCarter has not only updated Ovid's epic of transformation for the modern ear and era --- she's done something far more powerful. She's paid rigorous attention to the language of the original and brought to us its ferocity, its sensuality, its beauty, its wit, showing us how we are changed, by time, by violence, by love, by stories, and especially by power. Here is Ovid, in McCarter's masterful hands, refreshed, renewed, and pulsing with life."
--Nina MacLaughlin, author of Wake, Siren: Ovid Resung

"Stephanie McCarter's gorgeous verse translation of the Metamorphoses is ground-breaking not just in its refreshingly accessible approach to Ovid's syntax and formal devices but for how she reframes the controversial subjects that have made Ovid, and Ovidian scholarship, so fraught for contemporary readers. McCarter's translation understands that the Metamorphoses is a complex study of power and desire, and the dehumanizing ways that power asserts itself through and on a variety of bodies. McCarter's deft, musical, and forthright translation returns much needed nuance to Ovid's tropes of violence and change, demonstrating to a new generation of readers how our identities are always in flux, while reminding us all of the Metamorphoses' enduring relevance."
--Paisley Rekdal, author of Nightingale

"A graceful and fluid and deeply meaningful translation. Compared to the other translations of the Metamorphoses on which I've relied in the past, it's as though this is of an entirely different book. The reader follows the lines with genuine emotion. And so do worlds open up--"
--Alexander Nemerov, Carl and Marilynn Thoma Provostial Professor in the Arts and Humanities, Stanford University

"Stephanie McCarter's translation offers an attractive alternative to the finest versions to appear in recent decades, while the abundance of her introductory and explanatory material gives her work a clear advantage over those predecessors. As a vehicle for serious engagement with Ovid's poem in English, McCarter has no rival." - Richard Tarrant, Harvard University, Bryn Mawr Classical Review

About the Author

Ovid (43 BC-AD 17) was born in central Italy. He was sent to Rome where he realised that his talent lay with poetry rather than with politics. His first published work was 'Amores', a collection of short love poems. He was expelled in A.D. 8 by Emperor Augustus for an unknown reason and went to Tomis on the Black Sea, where he died.