Parody as Film Genre - (Contributions to the Study of Popular Culture) by Wes Gehring (Hardcover)

About the Book

Parody is the least appreciated of all film comedy genres and receives little serious attention, even among film fans. This study elevates parody to mainstream significance. A historical overview places the genre in context, and a number of basic parody components, which better define the genre and celebrate its value, are examined. Parody is differentiated from satire, and the two parody types, traditional and reaffirmation, are explained. Chapters study the most spoofed genre in American parody history, the Western; pantheon members of American Film Comedy such as The Marx Brothers, W. C. Fields, Mae West, and Laurel and Hardy; pivotal parody artists, Bob Hope and Woody Allen; Mel Brooks, whose name is often synonymous with parody; and finally, parody in the 1990s. Films discussed include Destry Rides Again (1939), The Road to Utopia (1945), My Favorite Brunette (1947), The Paleface (1948), Butch Cassidy and the Sundance Kid (1969), Blazing Saddles (1974), Young Frankenstein (1974), Hot Shots! Part Deux (1993) and Scream (1996).

This examination of parody will appeal to scholars and students of American film and film comedy, as well as those interested in the specific comedians discussed and the Western genre. Gehring's work will also find a place in American pop culture studies and sociological studies of the period from the 1920s to the 1990s. The book is carefully documented and includes a selected bibliography and filmography.

Book Synopsis

Parody is the least appreciated of all film comedy genres and receives little serious attention, even among film fans. This study elevates parody to mainstream significance. A historical overview places the genre in context, and a number of basic parody components, which better define the genre and celebrate its value, are examined. Parody is differentiated from satire, and the two parody types, traditional and reaffirmation, are explained. Chapters study the most spoofed genre in American parody history, the Western; pantheon members of American Film Comedy such as The Marx Brothers, W. C. Fields, Mae West, and Laurel and Hardy; pivotal parody artists, Bob Hope and Woody Allen; Mel Brooks, whose name is often synonymous with parody; and finally, parody in the 1990s. Films discussed include Destry Rides Again (1939), The Road to Utopia (1945), My Favorite Brunette (1947), The Paleface (1948), Butch Cassidy and the Sundance Kid (1969), Blazing Saddles (1974), Young Frankenstein (1974), Hot Shots! Part Deux (1993) and Scream (1996).

This examination of parody will appeal to scholars and students of American film and film comedy, as well as those interested in the specific comedians discussed and the Western genre. Gehring's work will also find a place in American pop culture studies and sociological studies of the period from the 1920s to the 1990s. The book is carefully documented and includes a selected bibliography and filmography.

Review Quotes

?[I]mmensely readable.... Recommended for all readership levels.?-CHOICE

?Space is not the final frontier. Film is! That is exactly how I felt after reading Wes Gehring's Parody as Film Genre. Each chapter was a trip at warp speed to a moon surrounding planet Parody in a galaxy far, far away where Gehring beamed me down to Star Wars space bars of familiars and aliens from Hollywood's past. The knowledge imparted was like a meteor, shower-brilliant...?-Film & History

"ÝI¨mmensely readable.... Recommended for all readership levels."-CHOICE

"[I]mmensely readable.... Recommended for all readership levels."-CHOICE

"Space is not the final frontier. Film is! That is exactly how I felt after reading Wes Gehring's Parody as Film Genre. Each chapter was a trip at warp speed to a moon surrounding planet Parody in a galaxy far, far away where Gehring beamed me down to Star Wars space bars of familiars and aliens from Hollywood's past. The knowledge imparted was like a meteor, shower-brilliant..."-Film & History

About the Author

WES D. GEHRING is Professor of Film at Ball State University and Associate Media Editor at USA Today magazine. He is the author of a dozen books, including Screwball Comedy: A Genre of Madcap Romance (Greenwood, 1986), Personality Comedians as Genre (Greenwood, 1997), American Dark Comedy (Greenwood, 1996), Populism and the Capra Legacy (Greenwood, 1995), and Handbook of American Film Genres (Greenwood, 1988) He has also written biographies of W. C. Fields, Charlie Chaplin, The Marx Brothers, and Laurel and Hardy.