Plays and Performance Texts by Women 1880-1930 - (Women, Theatre and Performance) by Maggie B Gale & Gilli Bush-Bailey (Paperback)

About the Book

An exciting new anthology of plays and performance texts by British and American women from the late nineteenth century to the early 1930s. Written in an accessible style for students it contains an overview and two introductory essays, as well as biographical materials on each of the writers.

Book Synopsis

This groundbreaking anthology, part of the Women, Theatre and Performance series, brings together an extraordinary mix of one-act and full length plays and solo performance texts written by women. Included in the volume are texts by Beatrice Herford, Ruth Draper, Zora Neale Hurston and G. B. Stern, originally performed across commercial and amateur theatres in Britain and America. Some of the plays have remained unpublished since their original performance - Georgina Weldon's Not Alone, Clothilde Graves' Mother of Three, Rachel Crother's Ourselves and Marie Stope's Our Ostriches. Others are anthologized here alongside plays with which they connect aesthetically and historically, for example, Edith Lyttelton's Warp and Woof, Elizabeth Robins' Votes for Women, Elizabeth Baker's Edith, Sophie Treadwell's Machinal and Aimée Stuarts' Nine Till Six.

The volume, for students and scholars, provides an accessible collection of texts exemplifying the range and breadth of women's theatre writing from the 1880s to the early decades of the twentieth century.

From the Back Cover

This groundbreaking anthology, part of the Women, Theatre and Performance series, brings together an extraordinary mix of one-act and full length plays and solo performance texts written by women. Included in the volume are texts by Beatrice Herford, Ruth Draper, Zora Neale Hurston and G.B. Stern, originally performed across commercial and amateur theatres in Britain and America. Some of the plays have remained unpublished since their original performance - Georgina Weldon's Not Alone, Clothilde Graves' Mother of Three, Rachel Crother's Ourselves and Marie Stope's Our Ostriches. Others are anthologized here alongside plays with which they connect aesthetically and historically, for example, Edith Lyttelton's Warp and Woof, Elizabeth Robins' Votes for Women, Elizabeth Baker's Edith, Sophie Treadwell's Machinal and Aimée Stuarts' Nine Till Six.

The volume, for students and scholars, provides an accessible collection of texts exemplifying the range and breadth of women's theatre writing from the 1880s to the early decades of the twentieth century.

About the Author

Maggie B. Gale is Professor and Chair in Drama at The University of Manchester. Gilli Bush-Bailey is Senior Lecturer and Head of the Drama and Theatre Department at Royal Holloway, University of London.