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About this item
Highlights
- A brilliant, clear-eyed consideration of the visual representation of violence in our culture--its ubiquity, meanings, and effects.
- About the Author: SUSAN SONTAG (1933-2004) was the author of four novels, The Benefactor, Death Kit, The Volcano Lover, and In America, which won the 2000 National Book Award for Fiction; a collection of stories, I, Etcetera; several plays, including Alice in Bed and Lady from the Sea; and seven works of nonfiction, among them On Photography, which won the National Book Critics Circle Award for Criticism, Illness as Metaphor, and Where the Stress Falls.
- 144 Pages
- Social Science, Media Studies
Description
About the Book
Twenty-five years after her classic "On Photography," Sontag returns to the subject of visual representations of war and violence in the culture today. She once again changes the way readers think about the uses and meanings of images in the world, and offers an important reflection about how war itself is waged--and understood.Book Synopsis
A brilliant, clear-eyed consideration of the visual representation of violence in our culture--its ubiquity, meanings, and effects.
Considered one of the greatest critics of her generation, Susan Sontag followed up her monumental On Photography with an extended study of human violence, reflecting on a question first posed by Virginia Woolf in Three Guineas: How in your opinion are we to prevent war? "For a long time some people believed that if the horror could be made vivid enough, most people would finally take in the outrageousness, the insanity of war." One of the distinguishing features of modern life is that it supplies countless opportunities for regarding (at a distance, through the medium of photography) horrors taking place throughout the world. But are viewers inured--or incited--to violence by the depiction of cruelty? Is the viewer's perception of reality eroded by the daily barrage of such images? What does it mean to care about the suffering of others far away? First published more than twenty years after her now-classic book On Photography, which changed how we understand the very condition of being modern, Regarding the Pain of Others challenges our thinking not only about the uses and means of images, but about how war itself is waged (and understood) in our time, the limits of sympathy, and the obligations of conscience.Review Quotes
"Wise and somber. . .Sontag's closing words acknowledge that there are realities which no picture can convey." --Los Angeles Times Book Review
"The history of sensibility in a culture shaped by the mechanical reproduction of imagery....has always been one of the guiding preoccupations of her best work, from Against Interpretation to The Volcano Lover....Regarding the Pain of Others invites, and rewards, more than one reading." --Newsday "For 30 years, Susan Sontag has been challenging an entire generation to think about the things that frighten us most: war, disease, death. Her books illuminate without simplifying, complicate without obfuscating, and insist above all that to ignore what threatens us is both irresponsible and dangerous." --O, The Oprah Magazine "A timely meditation on politics and ethics. . .extraordinary . . .Sontag's insight and erudition are profound." --The Atlanta Journal-Constitution "Regarding the Pain of Others bristles with a sense of commitment--to seeing the world as it is, to worrying about the ways it is represented, even to making some gesture in the direction of changing it. . .the performance is thrilling to witness." --The New York Times Magazine "A fiercely challenging book. . .immensely thought-provoking." --The Christian Science MonitorAbout the Author
SUSAN SONTAG (1933-2004) was the author of four novels, The Benefactor, Death Kit, The Volcano Lover, and In America, which won the 2000 National Book Award for Fiction; a collection of stories, I, Etcetera; several plays, including Alice in Bed and Lady from the Sea; and seven works of nonfiction, among them On Photography, which won the National Book Critics Circle Award for Criticism, Illness as Metaphor, and Where the Stress Falls. Her books have been translated into thirty-two languages. In 2001, she was awarded the Jerusalem Prize for the body of her work; in 2003, she received the Prince of Asturias Prize for Literature and the Peace Prize of the German Book Trade.Dimensions (Overall): 8.28 Inches (H) x 5.5 Inches (W) x .38 Inches (D)
Weight: .31 Pounds
Suggested Age: 22 Years and Up
Number of Pages: 144
Genre: Social Science
Sub-Genre: Media Studies
Publisher: Picador USA
Format: Paperback
Author: Susan Sontag
Language: English
Street Date: February 1, 2004
TCIN: 77021050
UPC: 9780312422196
Item Number (DPCI): 247-25-3782
Origin: Made in the USA or Imported
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Shipping details
Estimated ship dimensions: 0.38 inches length x 5.5 inches width x 8.28 inches height
Estimated ship weight: 0.31 pounds
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