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Shakespeare and the Supernatural - (Manchester University Press) by Victoria Bladen & Yan Brailowsky (Paperback)
About this item
Highlights
- Supernatural elements are of central significance in many of Shakespeare's plays, contributing to their dramatic power and intrigue.
- About the Author: Victoria Bladen teaches in literary studies and adaptation at The University of Queensland, Australia Yan Brailowsky is Senior Lecturer in early modern British history and literature at the University of Paris Nanterre
- 304 Pages
- Literary Criticism, Drama
- Series Name: Manchester University Press
Description
About the Book
This edited collection of twelve essays from an international range of contemporary Shakespeare scholars explores the supernatural in Shakespeare from a variety of perspectives and approaches.Book Synopsis
Supernatural elements are of central significance in many of Shakespeare's plays, contributing to their dramatic power and intrigue. Ghosts haunt political spaces and internal psyches, witches foresee the future and disturb the present, fairies meddle with love and a magus conjures a tempest from the elements. Although written and performed for early modern audiences, for whom the supernatural, whether sacred, demonic or folkloric, was part of the fabric of everyday life, the supernatural in Shakespeare continues to enthrall audiences and readers, and maintains its power to raise a range of questions in contemporary contexts.
This edited collection of twelve essays from an international range of contemporary Shakespeare scholars explores the supernatural in Shakespeare from a variety of perspectives and approaches, generating new knowledge and presenting hitherto unexplored avenues of enquiry across the Shakespearean canon.From the Back Cover
Supernatural elements constitute a significant dimension of Shakespeare's plays, contributing to their dramatic power and intrigue: ghosts haunt political spaces and internal psyches; witches foresee the future and disturb the present; and a magus conjures a tempest from the elements. This volume combines the historical contexts of the supernatural in Shakespearean drama with contemporary approaches to performance on stage, screen and in popular culture.
Although written and performed for early modern audiences, for whom the supernatural was still part of the fabric of everyday life, the plays' supernatural elements continue to enthral us and maintain their ability to raise questions of control, agency, and power in contemporary contexts. Through an analysis of five key themes: the supernatural and embodiment; haunted spaces; supernatural utterance and haunted texts; magic, music and gender; and contemporary transformations, this volume provides new insights on the construction of the supernatural through language and how mystical dimensions create challenges of representation and meaning for critics and creators.About the Author
Victoria Bladen teaches in literary studies and adaptation at The University of Queensland, Australia
Yan Brailowsky is Senior Lecturer in early modern British history and literature at the University of Paris Nanterre