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Strange Matter - (Manchester Medieval Literature and Culture) by Martin Bleisteiner & Jan-Peer Hartmann & Andrew James Johnston (Hardcover)
About this item
Highlights
- Medieval and early modern texts reflect a fascination with material objects, from ancient heirlooms to ingenious automata.
- About the Author: Martin Bleisteiner is an editor and academic translator based in Berlin Jan-Peer Hartmann is a fellow at the Interdisciplinary Research Group 'Aitiologies' at the Freie Universität Berlin Andrew James Johnston is Professor of Medieval and Renaissance English Literature at the Freie Universität Berlin
- 320 Pages
- Literary Criticism, Medieval
- Series Name: Manchester Medieval Literature and Culture
Description
About the Book
This book explores how medieval and early modern texts use material objects to negotiate temporal otherness. From marvellous artefacts to everyday items, it reveals objects as agents of change, bridging human and material, nature and culture, in ways that anticipate Latour's ideas.Book Synopsis
Medieval and early modern texts reflect a fascination with material objects, from ancient heirlooms to ingenious automata. Often imbued with power or beauty, these objects carry an uncanny sense of otherness, their mysterious origins evoking wonder and suggesting temporal and spatial distance. Acting as repositories of temporal alterity, such artefacts bridge the past and present in profound ways.
This volume, featuring contributions from experts in literature and art history, explores how texts from these periods use material objects to engage with temporal otherness. From everyday items to marvellous creations, objects challenge distinctions between human and material, natural and cultural. Whether examining the hybrid status of Hector's body in Lydgate's Troy Book or the temporal agency of humble bubbles, the chapters illuminate the vibrant networks connecting people and objects. By highlighting the 'hybridity' of matter, the book offers fresh insights into Bruno Latour's critique of nature-culture divides.From the Back Cover
Medieval and early modern texts reveal a deep fascination with material objects, from ancient heirlooms to ingenious automata. These items, often beautiful or imbued with power, are marked by an uncanny sense of otherness. Their mysterious origins evoke wonder and emphasize temporal and spatial distance, framing them as relics of alternative time schemes. Through their strange and wondrous qualities, such objects act as repositories of temporal alterity, bridging the past and the present in profound ways.
This volume brings together contributions from experts in medieval and early modern literature and art history to investigate how texts of these periods use material objects to explore notions of temporal otherness. The chapters illuminate the dynamic interplay between materiality and temporality, showing how objects--both extraordinary and everyday--challenge conventional distinctions between the human and the material. From clothing to glass to humble bubbles, these objects are revealed as participants in complex networks that connect the natural and cultural realms. The discussions uncover how material objects disrupt the status quo, asserting a degree of independence that elevates them beyond mere utility. Whether exploring the hybrid status of Hector's body in Lydgate's Troy Book or the temporal resonance of marvellous artefacts, the book reveals a world where material artefacts possess their own temporal regimes and agency. By foregrounding the 'hybridity' of matter and its intermediary status, this collection anticipates Bruno Latour's critique of the divide between nature and culture. It offers a compelling rethinking of the boundaries between human and material, subject and object, in ways that resonate across disciplines.About the Author
Martin Bleisteiner is an editor and academic translator based in Berlin
Jan-Peer Hartmann is a fellow at the Interdisciplinary Research Group 'Aitiologies' at the Freie Universität Berlin Andrew James Johnston is Professor of Medieval and Renaissance English Literature at the Freie Universität Berlin