About this item
Highlights
- The Argentine tango is one of the world's best-known partner dances.
- About the Author: Carolyn Merritt is adjunct professor of anthropology at Arcadia University.
- 272 Pages
- Performing Arts, Dance
Description
About the Book
An exploration of the evolution of Argentine tango as a dance form focusing on its most recent iterations, including tango nuevo.Book Synopsis
The Argentine tango is one of the world's best-known partner dances. Though tango is much admired and discussed, very little has been written on its ongoing evolution. In this innovative work, Carolyn Merritt surveys tango history while focusing on the most recent iteration of the dance, tango Nuevo, and the práctica scene that has exploded in Buenos Aires since the early 2000s.
After starting with an overview of tango, Merritt leads readers on a great adventure through the traditional dance halls and the less formal prácticas of Buenos Aires to tango communities on both coasts of the United States. Along the way, Merritt's personal observations show the dance's emotional depth and the challenges dancers face in tango venues old and new. Her investigation also demonstrates how innovation, globalization, and fusion, which many associate with nuevo, have always been at work in tango.
Combining sensuous prose, provocative images, and often heartbreaking stories, this book takes an unflinching look at the complex motivations driving the pursuit to master this intricate dance. Throughout, Merritt questions the "newness" of Nuevo through portraits of machismo, violence, and elitism in contemporary tango. The result is a volume that highlights the tensions between preservation and evolution of this--or any--cultural art form.
Members of the global tango community as well as students of dance, folklore, anthropology, and the social sciences will embrace this book. For those who are devoted to Argentine tango as dance, this book will be indispensable to understanding its most recent transformations.
From the Back Cover
The Argentine tango is one of the world's best-known partner dances. Though tango is much admired and discussed, very little has been written about its ongoing evolution. While the dance is steeped in history, the younger generation has begun to push tango into new and provocative realms.In the most cutting-edge performances, men and women switch the roles of leader and follower; ideas from swing, salsa, and blues are freely incorporated; and dress has become anything but traditional. While some may refer to this as tango nuevo, the term has been met with much resistance.In this innovative work, Carolyn Merritt surveys tango history while focusing on the most recent iteration of the dance and the práctica scene that has exploded in Buenos Aires since the early 2000s. She examines this growing, thriving community of young and eager dancers who are pushing the tango beyond its traditional limits, along with the spaces they've created within which to dance, socialize, and experiment in ways more befitting their ages, desires, schedules, and attitudes.After starting with an overview of tango, Merritt leads readers through the traditional dance halls and the less formal prácticas of Buenos Aires to tango communities on both coasts of the United States. Along the way, her personal observations show the dance's emotional depth and the challenges dancers face in tango venues old and new. Merritt's investigation also demonstrates how innovation, globalization, and fusion, which many associate with nuevo, have always been at work in tango.Combining sensuous prose, provocative images, and heart-wrenching stories, Merritt presents an unflinching look at the complex motivations driving the pursuit to master this intricate dance. Throughout, she questions the "newness" of nuevo through portraits of machismo, violence, and elitism in contemporary tango. The result is a book that highlights the tensions between preservation and evolution of this--or any--cultural art form. Carolyn Merritt lives in Philadelphia, where she teaches anthropology and performance studies and works with the ThINKing Dance project.About the Author
Carolyn Merritt is adjunct professor of anthropology at Arcadia University.