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The Artifice of Affect - (Modern American Literature and the New Twentieth Century) by Nicholas Manning
About this item
Highlights
- Is emotional truth a damaging literary and cultural ideal?
- About the Author: Nicholas Manning is Professor of American Literature at Université Grenoble Alpes and a fellow of the Institut universitaire de France.
- 296 Pages
- Literary Criticism, American
- Series Name: Modern American Literature and the New Twentieth Century
Description
About the Book
Offers a literary and cultural critique of the concept of true feeling, using affect theory to analyze post-war realist literaturesBook Synopsis
Is emotional truth a damaging literary and cultural ideal? The Artifice of Affect proposes that valuing affective authenticity risks creating a homogenized self, encouraged to comply only with accepted moral beliefs. Similarly, when emotional truth is made the primary value of literature, literary texts too often become agents of conformity. Nowhere is this risk explored more fully than in a range of American realist texts from the Cold War to the twentieth century's end. For the works of writers such as James Baldwin, Saul Bellow, John Cheever, Kathleen Collins, Paula Fox, Ralph Ellison, or Richard Yates, formulate trenchant critiques of true feeling's aesthetic and social imperatives. The arguments at the heart of this book aim to re-frame emotional processes as visceral constructions, which should not be held to the standards of static ideals of accuracy, legitimacy, or veracity.
From the Back Cover
[headline]Offers a literary and cultural critique of the concept of true feeling, using affect theory to analyze post-war realist literatures Is emotional truth a damaging literary and cultural ideal? The Artifice of Affect proposes that valuing affective authenticity risks creating a homogenised self, encouraged to comply only with accepted moral beliefs. Similarly, when emotional truth is the primary value of literature, literary texts too often become agents of conformity. Nowhere is this risk explored more fully than in a range of American realist texts from the Cold War to the end of the twentieth century. The works of writers such as James Baldwin, Saul Bellow, John Cheever, Kathleen Collins, Paula Fox, Ralph Ellison and Richard Yates formulate trenchant critiques of true feeling's aesthetic and social imperatives. The arguments at the heart of this book aim to re-frame emotional processes as visceral constructions, which should not be held to the standards of static ideals of accuracy, legitimacy or veracity. [bio]Nicholas Manning is Professor of American Literature at Université Grenoble Alpes and a fellow of the Institut universitaire de France.Review Quotes
An elegant, impressive account of American realism's encounters with the aesthetic and political challenges of representing emotion. Boldly anti-foundationalist in its critiques of universalizing approaches to literary value, Manning's book embraces bodily agency and the fluidity and meta-reflexivity of affective circuits, with far-reaching consequences for understanding the creation of literary and ethical meanings.
--Adam J. Frank, University of British ColumbiaAbout the Author
Nicholas Manning is Professor of American Literature at Université Grenoble Alpes and a fellow of the Institut universitaire de France. Editor in chief for literature, aesthetics and philosophy of the Revue Française d'Études Américaines, he is the author of Rhétorique de la sincérité. La poésie moderne en quête d'un langage vrai (Honoré Champion, 2013).