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The Cinema of the Dardenne Brothers - (Directors' Cuts) by Philip Mosley (Paperback)
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About this item
Highlights
- The brothers Jean-Pierre and Luc Dardenne have established an international reputation for their emotionally powerful realist cinema.
- About the Author: Philip Mosley is professor of English and comparative literature at the Pennsylvania State University.
- 256 Pages
- Performing Arts, Film
- Series Name: Directors' Cuts
Description
Book Synopsis
The brothers Jean-Pierre and Luc Dardenne have established an international reputation for their emotionally powerful realist cinema. Inspired by their home turf of Liège-Seraing, a former industrial hub of French-speaking southern Belgium, they have crafted a series of fiction films that blends acute observation of life on the social margins with moral fables for the postmodern age. This volume analyses the brothers' career from their leftist video documentaries of the 1970s and 1980s through their debut as directors of fiction films in the late 1980s and early 1990s to their six major achievements from The Promise (1996) to The Kid with a Bike (2011), an oeuvre that includes two Golden Palms at the Cannes film festival, for Rosetta (1999) and The Child (2005). It argues that the ethical dimension of the Dardennes' work complements rather than precludes their sustained expression of a fundamental political sensibility.Review Quotes
A comprehensive overview.--Melina Gils "Film Quarterly"
A brilliant account of the Dardenne brothers' cinema... their politically engaged social realism and concern with the pauperized victims of global capital are beautifully complemented by the precise lucidity of the author's prose, the nuance of his textual analysis, and his provocative but non-dogmatic social theory.--David James, University of Southern California
An excellent introduction to the Dardenne brothers' films but also a lucid exposition of the historical and intellectual frameworks in which their social realism can be evaluated. This volume also explains how their filmmaking can be understood in terms of major contemporary philosophical currents.--Felix Thompson, University of Derby, UK
About the Author
Philip Mosley is professor of English and comparative literature at the Pennsylvania State University. He is the author of many works, including Split Screen: Belgian Cinema and Cultural Identity (2001) and a translation from French of The Book of the Snow by François Jacqmin, which was shortlisted for the 2011 Griffin Poetry Prize.Dimensions (Overall): 9.1 Inches (H) x 6.1 Inches (W) x .5 Inches (D)
Weight: .6 Pounds
Suggested Age: 22 Years and Up
Series Title: Directors' Cuts
Sub-Genre: Film
Genre: Performing Arts
Number of Pages: 256
Publisher: Wallflower Press
Theme: History & Criticism
Format: Paperback
Author: Philip Mosley
Language: English
Street Date: March 19, 2013
TCIN: 93301810
UPC: 9780231163293
Item Number (DPCI): 247-47-9605
Origin: Made in the USA or Imported
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Shipping details
Estimated ship dimensions: 0.5 inches length x 6.1 inches width x 9.1 inches height
Estimated ship weight: 0.6 pounds
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