The Fate of the Animals - (Three Paintings Trilogy) by Morgan Meis (Paperback)

About the Book

With his signature blend of wide-ranging erudition & lively, accessible prose, Morgan Meis explores Franz Marc's "The Fate of the Animals," guided by a series of letters Marc wrote to his wife Maria while he was a soldier in World War I.

Book Synopsis

In 1913, Franz Marc, one of the key figures of German Expressionism, created a masterpiece: The Fate of the Animals. With its violent slashes of color and line, the painting seemed to pre-figure both the outbreak of World War I and, more eerily, Marc's own death in an artillery barrage at the Battle of Verdun three years later.

With his signature blend of wide-ranging erudition and lively, accessible prose, Morgan Meis explores Marc's painting in depth, guided in part by a series of letters Marc wrote to his wife Maria while he was a soldier in the war. In those letters, Marc explores the nature of art, the fate of European civilization, and the inner spiritual nature of all life.

Along the way, Meis brings in other artists such as D.H. Lawrence, Edgar Degas, and Paul Klee to flesh out his argument. The Fate of the Animals also explores the darker undercurrents of German apocalyptic thinking in Marc's time, especially Norse mythology and the ancient Vedic texts as they influenced Schopenhauer, Nietzsche, and Heidegger.

The Fate of the Animals is the second volume of Meis's Three Paintings Trilogy, the first volume of which, The Drunken Silenus, examined a painting by Rubens. The third volume (forthcoming) will consider a painting by Joan Mitchell.

Review Quotes

Praise for The Drunken Silenus

A real one-off . . . absolutely compelling reading.

-ROWAN WILLIAMS, former Archbishop of Canterbury

In The Drunken Silenus, Morgan Meis doesn't dabble in faux honesty. He goes for the real deal, and the book is all the better for it. Although he barely writes about his personal life, The Drunken Silenus is as much of a warts-and-all self-portrait as any the autofiction boom has produced.

-JACKSON ARN, Art in America

[This] book's most valuable innovation . . . is nothing less than the tragic ecphrasis he performs as he "reads" Rubens's Drunken Silenus. . . .

-RAFAËL NEWMAN, 3 Quarks Daily

Meis's long essay about one particular Rubens painting reminded me [that] in the examination of the particular we are able to ponder deep truths.

-LEANNE OGASAWARA, Dublin Review of Books

. . . a book that forces me to ask, as few books have done in a long while, not only who I am but how I am to be. A book that puts me on the spot about what it means that I'm a mortal being, destined for death. And . . . how that meaning should shape my behavior going forward. . . .

-GEORGE DARDESS, Close Reading blog