About this item
Highlights
- INTERNATIONAL BESTSELLER"A delicately woven novel with an utterly original premise, it ensnared me from the very first page.
- Author(s): Bridget Collins
- 384 Pages
- Fiction + Literature Genres, Magical Realism
Description
About the Book
"1820: Sophia Ashmore-Percy reluctantly accompanies her husband James to a remote Greek island, where he searches for rare biological specimens here, however, she sets on her own voyage of discovery--stumbling across the very creature he is looking for, making an unexpected connection with a local woman, and ultimately reconsidering her marriage, life, and own desires. Decades later, audiologist Henry Latimer is sent to the home of industrialist Sir Edward Ashmore-Percy and tasked with curing the man's young daughter, Philomel, of her deafness. But Henry, eager to escape a troubled past, quickly becomes obsessed with the fascinating nature of Sir Edward's business: spinning silk with a rare and magical breed of spiders. The extraordinary silk shields sound, offering respite from bustling streets and noisy neighbors. The result is instant tranquility, as wearers experience a soothing calmness. Yet, those within earshot of the outward-facing silk are subjected to eerie murmurs that amplify with proximity. Bystanders suffer the consequences of this unnerving phenomenon, manifesting in physical and mental afflictions ranging from headaches and drowsiness to severe cases of madness. As Henry becomes entangled in the allure of the silk and Sir Edward's charm, he glimpses a more sinister family history. The closer he ventures into the inner circle of Carthmute House, the more he unravels the horrifying underbelly of the silk business."--Book Synopsis
INTERNATIONAL BESTSELLER
"A delicately woven novel with an utterly original premise, it ensnared me from the very first page." -- Emilia Hart, bestselling author of Weyward
From the acclaimed author of the #1 international bestseller The Binding--a captivating story of gothic suspense about a powerful family, the magical and dangerous silk their fortune is built upon, and the exploitative history they are desperately trying to hide.
1820: Sophia Ashmore-Percy reluctantly accompanies her husband James to a remote Greek island, where he searches for rare biological specimens. Once there, however, she sets on her own voyage of discovery--stumbling across the very creature he is looking for, making an unexpected connection with a local woman, and ultimately reconsidering her marriage, life, and own desires.
Decades later, audiologist Henry Latimer is sent to the home of industrialist Sir Edward Ashmore-Percy and tasked with curing the man's young daughter, Philomel, of her deafness. But Henry, eager to escape a troubled past, quickly becomes obsessed with the fascinating nature of Sir Edward's business: spinning silk with a rare and magical breed of spiders. The extraordinary silk shields sound, offering respite from bustling streets and noisy neighbors. The result is instant tranquility, as wearers experience a soothing calmness. Yet, those within earshot of the outward-facing silk are subjected to eerie murmurs that amplify with proximity. Bystanders suffer the consequences of this unnerving phenomenon, manifesting in physical and mental afflictions ranging from headaches and drowsiness to severe cases of madness.
As Henry becomes entangled in the allure of the silk and Sir Edward's charm, he glimpses a more sinister family history. The closer he ventures into the inner circle of Carthmute House, the more he unravels the horrifying underbelly of the silk business.
With Bridget Collins's signature, stunning prose, The Silence Factory is an equally enthralling and unsettling gothic story about complicity, desire, and corruption--a novel to lose yourself in.
Review Quotes
"Thanks to its clever speculative twist, this stands out from the pack of Victorian historicals." -- Publishers Weekly
"I loved it. A delicately woven novel with an utterly original premise, it ensnared me from the very first page." -- Emilia Hart, bestselling author of Weyward
"I loved Bridget Collins' last two novels so much I was almost nervous to read this one in case it didn't live up to my feverish expectations. I was wrong: in The Silence Factory she has created another world that exists on the edge of time and magic. Epic in scope and rich at sentence level, this is storytelling at its most immersive" -- Erin Kelly, author of Skeleton Key
"Extraordinary writing... silk, secrets and silence woven into a gleaming Gothic web. What a treat" -- Anna Mazzola, author of The Unseeing
"Of course, books don't need to be turned into magical artifacts. They already are. The magic of Bridget Collins's novel The Binding... is only a step away from that reality. Collins's vivid descriptions of the abuse of that magic within a grimy faux-Victorian-era world of workhouses and exploitation are almost too painfully true.... The Binding succeeds in creating the magic it proposes: the experience of memory returning, a rush of recollection that can change the whole world, if only for one person at a time--or sometimes two." -- Naomi Novik, New York Times Book Review
"The Binding is a dark chocolate slice of cake with a surprising, satisfying seam of raspberry running through it. It is a rich, gothic entertainment that explores what books have trapped inside them and reminds us of the power of storytelling. Spellbinding." -- Tracy Chevalier, bestselling author of Girl with a Pearl Earring
"The Binding held me captive from the start and refused to set me free. It's a beautifully crafted tale of dark magic and forbidden passion, where unspeakable cruelty is ultimately defeated by enduring love. Breathtaking!" -- Ruth Hogan, author of The Keeper of Lost Things
"Pure magic. The kind of immersive storytelling that makes you forget your own name. I wish I had written it." -- Erin Kelly, author of He Said/She Said, on The Binding
"Dizzyingly wonderful . . . Collins summons a Gormenghast-esque richness of place and people . . . a perfectly constructed work of fiction, with audacious twists that clumsier hands would fumble, and irresistibly moving emotional beats. . . . Nabokov called fiction a 'game of worlds, ' and Collins plays her own game here with perfect skill." -- The Times (UK) on The Betrayals
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