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About this item
Highlights
- In the gritty streets of Manila, where danger lurks around every corner, fate intertwines the lives of three disparate groups of individuals.
- About the Author: Alex Garland is a British novelist, screenwriter, and director.
- 288 Pages
- Fiction + Literature Genres, Thrillers
Description
About the Book
Set in the Philippines, this Chinese puzzle of a novel, written by the author of "The Beach, " spans three generations, following the stories of three sets of characters whose fates are intertwined.Book Synopsis
In the gritty streets of Manila, where danger lurks around every corner, fate intertwines the lives of three disparate groups of individuals. An intricately woven, suspenseful novel of psychological and political intrigue, The Tesseract follows the interlocking fates of three sets of characters in the Philippines: gangsters in a chase through the streets of Manila; a middle-class mother putting her children to bed in the suburbs and remembering her first love; and a couple of street kids and the wealthy psychiatrist who is studying their dreams. Secrets unravel as these characters' paths intersect, immersing you in a world of danger, longing, and unexpected connections.Review Quotes
"The Tesseract has the traits of a thriller, but it's also a love story, a character study, a portrait of life among Manila's street kids, even an experiment in narration...a feverish, affecting, altogether captivating story....What really makes The Tesseract so gripping is the author's dazzling performance as a storyteller--not the bloody climaxes per se but the innovative techniques and deft changes of pace with which they are related. This is one of those rare novels that can be read for thrills but also taken apart and examined the way a jeweler does a fine watch. Garland also lavishes his characters with quirks that ring true, outbursts of human oddity that transform a moment that most authors would rush past into something memorable...all but flawless, a tour de force of brilliant narration and psychological acuity." --The Washington Post "The Tesseract feels.... like a Quentin Tarantino or John Woo movie, seasoned with some Graham Greene. It is as thoroughly assured a performance as T and just as violently entertaining. Taut, nervous and often bloody, The Tesseract is a more experimental work than The Beach elliptical and Rashomon-like in structure, where The Beach was linear, cinematic in its effects, where The Beach was more conventionally literary. . . . Mr. Garland not only does a completely convincing job of sketching in these characters' lives in a series of quick, deftly drawn strokes, but he also fluently cuts back and forth between their stories, building suspense the way a film editor does, even as he is tying his disparate heroes' tales together with dozens of overlapping motifs. . . . As he demonstrated in The Beach, Mr. Garland is a natural at orchestrating violent set pieces with deadpan panache, but he also proves in this novel that he can create odd, oddly sympathetic people with unexpected inner lives. . . . the novel's suspense [has] a human cost and caculation...Garland is...persuasive a storyteller...gifted a writer...He has written a powerful if flawed novel, a novel that...reconfirms his prodigious and diverse talents." --Michiko Kakutani, The New York Times Book Review "[C]omplex and intriguing...subtle fiction [that] has nothing to do with the higher math and a lot to do with good old-fashioned storytelling about big, old-fashioned themes--the mysteries of love and violence and death, the strange workings of fate. . . . The Tesseract marks a significant departure from, and growth since, The Beach...Like a tesseract, it is composed of three dimensions that, in the end, inevitably imply a larger and more significant fourth. . . The book is so cunningly constructed that you can't discuss any of these three narratives in too much detail without giving away the connections. Suffice it to say that each story is delicately observed and ingeniously linked to the others. . . . I'm fairly sure that this book, like its author, is the thing itself." --Daniel Mendelsohn, New York Observer
About the Author
Alex Garland is a British novelist, screenwriter, and director. His first novel, The Beach, was published in 1996 and drew on his experiences as a backpacker. The novel quickly became a cult classic and was made into a film by Danny Boyle, with Leonardo DiCaprio. The Tesseract, Garland's second novel, was published in 1998. This was also made into a film, starring Jonathan Rhys Meyers. In 2003, he wrote the screenplay for Danny Boyle's 28 Days Later, starring Cillian Murphy. His third novel, The Coma, was published in 2004 and was illustrated with woodcuts by his father. In 2007 he wrote the screenplay for the film Sunshine--his second screenplay to be directed by Danny Boyle and star Cillian Murphy as lead. Garland also served as an executive producer on 28 Weeks Later, the sequel to 28 Days Later. Garland also wrote the first screenplay for Halo, the film adaptation of the successful video game franchise by Bungie Studios. He made his directorial debut with Ex Machina, a 2014 feature film based on his own story and screenplay.Dimensions (Overall): 7.98 Inches (H) x 5.16 Inches (W) x .75 Inches (D)
Weight: .54 Pounds
Suggested Age: 22 Years and Up
Sub-Genre: Thrillers
Genre: Fiction + Literature Genres
Number of Pages: 288
Publisher: Riverhead Books
Theme: Suspense
Format: Paperback
Author: Alex Garland
Language: English
Street Date: January 1, 2000
TCIN: 94291867
UPC: 9781573227742
Item Number (DPCI): 247-10-5574
Origin: Made in the USA or Imported
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Shipping details
Estimated ship dimensions: 0.75 inches length x 5.16 inches width x 7.98 inches height
Estimated ship weight: 0.54 pounds
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