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About this item
Highlights
- When Abbas Kiarostami suddenly passed away in July 2016, he was already an iconic figure in world cinema--and his reputation as a master filmmaker has only grown since.
- About the Author: Hamid Dabashi is the Hagop Kevorkian Professor of Iranian Studies and Comparative Literature at Columbia University.
- 370 Pages
- Performing Arts, Film
Description
About the Book
"When Abbas Kiarostami suddenly passed away in July 2016, he was already an iconic figure in world cinema-and his reputation as a master filmmaker has only grown since. In this book, celebrated scholar Hamid Dabashi offers a new way of looking at Kiarostami's art world, one that questions the very idea of film philosophy. Dabashi's authoritative account of the philosophical resonances of Kiarostami's oeuvre offers an iconoclastic critique of the field's Eurocentrism and, in vivid prose, makes the case for a new method of appreciating the work of this essential figure. The result is a provocative perspective on the totality of Kiarostami's legacy that, with deep roots in Iranian aesthetic and Persian poetic and philosophical traditions, overcomes film's provincial preoccupation with its Western heritage and charts a new path forward for film philosophy."--Book Synopsis
When Abbas Kiarostami suddenly passed away in July 2016, he was already an iconic figure in world cinema--and his reputation as a master filmmaker has only grown since. In this book, celebrated scholar Hamid Dabashi offers a new way of looking at Kiarostami's artworld, one that questions the very idea of film philosophy. Dabashi's authoritative account of the philosophical resonances of Kiarostami's oeuvre offers an iconoclastic critique of the field's Eurocentrism and, in vivid prose, makes the case for a new method of appreciating the work of this essential figure. The result is a provocative perspective on the totality of Kiarostami's legacy that, with deep roots in Iranian aesthetic and Persian poetic and philosophical traditions, overcomes film's provincial preoccupation with its Western heritage and charts a new path forward for film-philosophy.From the Back Cover
"Dabashi is sui generis: there is no other scholar like him in the study of Iranian cinema or Persian literature."--Shaj Mathew, Trinity UniversityAbout the Author
Hamid Dabashi is the Hagop Kevorkian Professor of Iranian Studies and Comparative Literature at Columbia University. He is the author of many books, among them Masters and Masterpieces of Iranian Cinema and The End of Two Illusions: Islam after the West.Dimensions (Overall): 9.0 Inches (H) x 6.0 Inches (W) x .94 Inches (D)
Weight: 1.57 Pounds
Suggested Age: 22 Years and Up
Number of Pages: 370
Genre: Performing Arts
Sub-Genre: Film
Publisher: University of California Press
Theme: History & Criticism
Format: Hardcover
Author: Hamid Dabashi
Language: English
Street Date: February 4, 2025
TCIN: 91824929
UPC: 9780520397170
Item Number (DPCI): 247-50-4911
Origin: Made in the USA or Imported
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Shipping details
Estimated ship dimensions: 0.94 inches length x 6 inches width x 9 inches height
Estimated ship weight: 1.57 pounds
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