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Book Synopsis
Nina de Gramont's The Christie Affair is a stunning novel that reimagines the unexplained eleven-day disappearance of Agatha Christie that captivated the world.
Sizzles from its first sentence.--The Wall Street Journal A Reese's Book Club Pick Why would the world's most famous mystery writer disappear for eleven days? What makes a woman desperate enough to destroy another woman's marriage? How deeply can a person crave revenge? In 1925, Miss Nan O'Dea infiltrated the wealthy, rarefied world of author Agatha Christie and her husband, Archie. In every way, she became a part of their life--first, both Christies. Then, just Archie. Soon, Nan became Archie's mistress, luring him away from his devoted wife, desperate to marry him. Nan's plot didn't begin the day she met Archie and Agatha. It began decades before, in Ireland, when Nan was a young girl. She and the man she loved were a star-crossed couple who were destined to be together--until the Great War, a pandemic, and shameful secrets tore them apart. Then acts of unspeakable cruelty kept them separated. What drives someone to murder? What will someone do in the name of love? What kind of crime can someone never forgive? Nina de Gramont's brilliant, unforgettable novel explores these questions and more.Review Quotes
A Reese's Book Club Pick
This story is all about murder and lies and love and discovery. I loved it so much. I could not put it down. I read it in one sitting. - Reese Witherspoon
--Fiona Davis, author of The Lions of Fifth Avenue I read in a single sitting The Christie Affair by Nina de Gramont, who weaves a captivating tale around the real life disappearance of mystery writer Agatha Christie from the point of view of her husband's lover. The story combines dark pasts, dangerous liaisons and unforeseen twists into a masterful work reminiscent of one of Christie's enigmatic works. The Christie Affair is both enthralling and beguiling, and will keep readers guessing until the very last page. -- Pam Jenoff, author of The Lost Girl of Paris Rooted in fact and reason but charged throughout with emotion and imagination, this is an extraordinary murder mystery novel that dares to invoke the spirit of Dame Christie and succeeds. --CriminalElement
About the Author
Nina de Gramont is a professor of Creative Writing at University of North Carolina, Wilmington. She is the author of THE LAST SEPTEMBER (Algonquin 2015) as well as several Young Adult novels.Suggested Age: 22 Years and Up
Sub-Genre: Historical
Genre: Fiction + Literature Genres
Number of Pages: 400
Publisher: St. Martin's Griffin
Format: Paperback
Author: Nina De Gramont
Language: English
Street Date: February 7, 2023
TCIN: 87880166
UPC: 9781250792631
Item Number (DPCI): 059-04-0405
Origin: Made in the USA
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Estimated ship dimensions: 1 inches length x 5.38 inches width x 8.25 inches height
Estimated ship weight: 1 pounds
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4.3 out of 5 stars with 4 reviews
I recommend this page-turning mystery
4 out of 5 stars
PhyllisE - 3 years ago
Thanks to St. Martin’s Press & NetGalley for a digital advance reader copy. All comments and opinions are my own. Where and why did novelist Agatha Christie disappear, and what did she do while gone for eleven days in 1925? I can never get enough of Agatha Christie, so when I saw this novel I had to read it, even though in January 2021 I had read The Mystery of Mrs. Christie, a similar novel where another author also conjectured on the whereabouts and doings of the world famous mystery writer. As I was reading this one, I made a point not to compare the two books, so am reviewing this on its own merits - both good and not so good. This novel was narrated by the character Nan O'Dea, Archie Christie's mistress. Told in two timelines, both the period during Agatha's disappearance and also going back in time to Nan's earlier years. It all comes together at the end, so I urge you to just read and you'll see how it all fits so cleverly. The author was obviously inspired by Christie's own novels as she created a mystery, and then a brilliant murder mystery with logical motive. The part I thought was "not so good" was that since the story was told by Nan O'Dea, it was distracting and unbelievable that she could read the minds of many of the other main characters, and recounted their imagined conversations when she wasn't there. She broke one of the basic rules of writing with this blunder. She does explain this "technique" by saying they probably thought this or probably said that. So that's even worse that the author (via the character) admits she's doing this. The novel also changes point of view in the middle of chapters, which could cause some confusion as to who was thinking or acting. How could an editor allow these two unprofessional bungles? Despite this colossal breach, the novel was a page-turner and the characters were well-developed and likable/sympathetic. Lots of clues sprinkled throughout enabled me to figure out motives, feel satisfied with explanations and outcomes, and appreciate the decisions that led to actions. Even with the problematic storytelling style, I really liked this and recommend reading it.