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The Cinema of Pedro Almodóvar - (Spanish and Latin-American Filmmakers) by Ana María Sanchez-Arce (Hardcover)
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Highlights
- A comprehensive, historically informed study of the art and politics of Spanish filmmaker Pedro Almodóvar, showing how Almodóvar's films draw on various national cinemas and film genres, including Spanish cinema of the dictatorship, European art cinema, Hollywood melodrama and film noir.
- About the Author: Ana María Sánchez-Arce is Reader in English at Sheffield Hallam University
- 352 Pages
- Biography + Autobiography, Entertainment & Performing Arts
- Series Name: Spanish and Latin-American Filmmakers
Description
About the Book
A comprehensive, historically informed study of the art and politics of Spanish filmmaker Pedro Almodóvar, showing how Almodóvar's films draw on various national cinemas and film genres, including Spanish cinema of the dictatorship, European art cinema, Hollywood melodrama and film noir.Book Synopsis
A comprehensive, historically informed study of the art and politics of Spanish filmmaker Pedro Almodóvar, showing how Almodóvar's films draw on various national cinemas and film genres, including Spanish cinema of the dictatorship, European art cinema, Hollywood melodrama and film noir.From the Back Cover
This book offers a comprehensive, film-by-film analysis of the cinema of Spanish director Pedro Almodóvar, from early transgressive comedies of the 1980s like Pepi, Luci, Bom y otras chicas del montón and Mujeres al borde de un ataque de nervios, to award-winning dramas like Todo sobre mi madre, Hable con ella, and Dolor y gloria. It shows how Almodóvar's films draw on various national cinemas and film genres, including Spanish cinema of the dictatorship, European art cinema, Hollywood melodrama and film noir.
The book argues that the political nature of Almodóvar's work has been obscured by his alignment with the allegedly apolitical Spanish cultural movement known as la movida, but is in fact a form of social critique disguised as frivolity. Almodóvar's films consistently engage with and challenge stereotypes about traditional and contemporary Spain, addressing the country's traumatic past and how it continues to inform the present. Focusing in particular on memory work, the book explains how Almodóvar uses poetic techniques to explore personal and collective trauma. He is not, as is commonly thought, a postmodern filmmaker, but a metamodern one who uses postmodernist techniques with an ethical purpose. Drawing on scholarship in both English and Spanish, The cinema of Pedro Almodóvar will be of interest to students and scholars of film studies and Hispanic studies, as well as general cinema enthusiasts with a passion for the films of Spain's greatest living director.Review Quotes
'Sánchez-Arce adds significantly to understanding of Almodóvar with these insightful close readings of his features-readings that employ a methodology blending feminism and formalism while situating the films in appropriate sociopolitical and historical contexts.'
CHOICE
Dolores Tierney, Studies in Spanish and Latin American Cinemas
About the Author
Ana María Sánchez-Arce is Reader in English at Sheffield Hallam University